haha真大片动作悬疑精神分析都dip了一下而且还在意逻辑:为什么男主角值得被拯救因为他从始至终不愿同流合污&例如在旋转木马上救起小孩这样的行为好喜欢Farley Granger因为是他所以那么揪心we worry and cheer for him诶诶诶但是不管Hitchcock怎么side女性大他者的辞说还是在施加作用力所以在这一部里面GuyBruno和受害者之前完全有一个hierarchical的关系
"And it was at that age...Poetry arrived / in search of me. I don't know, I don't know where it came from, from winter or a river / I don't know how or when / no,they were not voices, they were not words, nor silence / but from a street I was summoned / from the branches of night / abruptly from the others, among violent fires / or returning alone / there I was without a face / and it touched me." 看完爱上聂鲁达系列(不过感觉上可能确实是看过的最好的一部关于写诗的电影啦